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Image by Lloyd Dirks

The Capitol Cinema

 

The flip-down thrones were red velvet, once

before the lick of back-row smooches

and optimistic arms frayed the corners

of Friday nights, hearts arrhythmically in sync

with 20th Century Fox or

lips pursed for Pearl and Dean.

 

The matinee was best. 

Enchanted children, unaware of futures

that didn’t sing in C major, knelt above perms

to see the princess, never more than four scenes from safety

while nans passed sandwiches down the generations

two decades ahead of nachos and 4D. 

 

The ruched curtain fainted at the interval

and gathered the strength to rise again

while the usher of dust cheated 

little palms of their change

In exchange for Cornettos.

 

We didn’t mind the cold. A knitted blanket warmed

the knees of this dying ritual as we sunned 

fledgling limbs on beaches we’d never see anywhere

but here. 

Your Face Like a Rosewood Bureau

santos-rosewood.jpg

Minimalism has its place
among conclaves of elasticated hearts
who wear rimless spectacles and consider
pescatarianism an art form
but I like clutter.
What do you look at longer, a Perspex table designed
to disappear among the white washed ‘clean lines’
of a Copenhagen studio,
or a face like a rosewood bureau?
Youthful complexions are so 21st century
A floating shelf is good for nothing
it can’t support the weight of its features
No, it’s the craftsmanship of a spent life that arrests
attention and bears the weight of its mistakes
on dovetailed joints.
I run my hand over blemishes
other lives have left
on the surface, eliciting trust.
Like most things, the young snub provenance
clamber over paragons of dust in search of shabby chic,
but not me:
I revel in ageing hinges,
rusted locks.

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